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A Wrap on College

5/24/2018

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May seem hard to believe (probably moreso for me than for anyone else) but I graduated, and even got a picture to prove it!
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That's the face of a man who had slept in an actual bed for a handful of days in the previous few weeks, and had endured a couple 14-hour editing sessions to get his movie done on time, as well as a surprise lack of submitted grades needed to actually receive his diploma. I literally got an email from our registrar the morning of graduation saying that my diploma had been processed. Shoutout to that guy for coming in clutch at the most clutch moment possible. Luckily, everything came together, and now I can stop and take a deep breath. For a while, I just assumed that once everything was over and done with, a wave of suppressed exhaustion would cause my body to collapse into dust like the end of Infinity War, but here I am still kickin' it for long enough to write this blog a few days later.

I'm pretty sure I've gone into detail before about how I probably shouldn't have been financially able to go to BU, and that the only reason I finished was due to a generous loan from a family member, so I don't want to get too into it. I'll just say I feel like I did everything in my power to do right by the people that made this possible for me and make the very best of my limited time and resources at BU. It's always at least worth the mention to express how lucky and grateful I am to have the people around me that I do, as I wouldn't really be anywhere without them.

The results of that final semester and the tale of perseverance that was my thesis film culminated in It Came From Above, my most ambitious endeavor in writing, directing, and production design among various other positions I was required to fill. I definitely learned some huge lessons from this project: one being that true friendship can be a huge factor in motivating people to work on a project for you, as I came to find I lost many of my desired crewmates to other projects, but you can't really be mad at people for committing to help those they have a stronger relationship with. The other big lesson was to hold those who work with you to your own standard of quality. Very early on, I made a mistake of assuming that everyone is our thesis film class had the same level of ambition and standards as me, and at the risk of sounding egotistical, that was not the case, and it came back to bite me on more than one occasion.

​Better I do it now than a few years down the road, though. I feel that the ways I've failed on this project have prepared me for the future in ways that you can't learn in a classroom. Something I hear athlete's talking about a lot, this idea of failure strengthening you and setting you up for success down the road. It's definitely something I buy into, and use as motivation to stick with things and not give up. Anyway, here's a picture of some of the people who made the movie possible. Love these people and hope to work with them again soon. Shoutout to Ernie Wu on the left for being the only person to make it to every single shoot from start to finish (the final pickup shoot was literally just the two of us and the actress).
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Ignore my inability to look normal on camera, I'm much more comfortable behind the scenes. Also shoutout to Emily Bennett for giving our movie the strongest poster game by a longshot.

To have finally made it to graduation at last is almost too surreal to process. It's a moment that I've contemplated for years, and now that it's come and gone, I don't know what to do with myself. It's a very bizarre feeling of numbness. I guess with a couple of days' rest, it's time to look towards my next project, whatever that may be. There's no more school structure to dictate my life and creative work now, and I haven't found long-term work yet, so I have an intimidating amount of freedom for the time being. I'll jump back into the artistic swing of things in no time, but for now, I think I want to have a beer, sit by some water, and do nothing else. Gotta keep livin, man. 
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Here's a picture of home I took on a boat.
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Thesis Shoot Aftermath: A Tale of Heartbreak and Perseverance

11/27/2017

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A month ago, I was wide-eyed and ready to take on the world. Ten days ago, I went into Duxbury, Massachusetts to make a movie and barely came out alive. Let me tip my hat to a few people, rat out a few others, and explain how it went down.

Rewind to just after Halloween. My shoot is roughly two and a half weeks away. I'm nervous, but not too worried about things. After months of searching between Boston actors, dancers, and BU student actors, I struggled to find anyone interested in playing the robot, which I thought was really weird. I thought that would seem like a pretty awesome opportunity for most people. I mean how cool would it be to say you played an alien robot in a movie? Probably fair to say people are busy. Anyway, I was luckily able to secure one of my hometown friends to take on the job. Shoutout to Kelli Celentano for coming in clutch.

Casting the robot meant we finally were able to get started on the robot suit itself (it had to be fitted to the actor to avoid looking too clunky or silly). I had done months of research and had as good of a game plan as I was gonna get. I actually got really into prop-making and costume design through YouTube channels like "Tested", it's so cool to see all the ways professionals make these costumes and to think "really? THAT's all you have to do???" None of the movie magic is lost on me. I was prepared with a game plan, and this is when my production designer, whom I've chosen not to name, essentially told me:

"I don't think I can do this... so I'm not going to. Good luck lol."

That's when things got interesting.

At least I know she's going nowhere in this line of work with that attitude, though it didn't exactly solve the problem that I now had nobody to build my robot (she wasn't even going to help). I was pretty much left on my own to build the suit. While this was going on, my other production designer also decided that she was no longer interested.

I do my best to have a positive attitude and motivate the people around me to give it their all, but I just don't get how some film students can call themselves filmmakers and not understand how problematic it can be to commit to extremely important roles on THESIS films and then just decide out of the blue to jump ship at the eleventh hour. It's  just hard not to take stuff like that personally when you so openly express how passionate you are about a project. Not much I can do about it.

Nevertheless, I wasn't going to let it this ruin my movie if I could do something about it, and just like that, I was left with about two weeks to make a full-body robot suit, a dead dog, and a MacGyver'ed teleportation device myself. I knew it would be a test of creative and physical endurance, and would push my limits.

Did I do it? Yes, because I'm a baller. Here are pics of the suit and device. I'll get one up of the dog later once I have screenshots from the actual footage.

It's also worth noting I was very lucky to find some helping hands to chip in along the way. My producer, DP, and two of my other classmates pitched in when they could to help out, which was really nice.

Shoutout to Nicole Rinaldi of Emerson College for coming in for like a week on a call from our mutual professor and helping out some guy she didn't know to build a robot suit. Another shoutout to Kell Blasberg for weathering the suit to literally make the foam look like believable aged metal. It added some phenomenal detail and is honestly just awesome to look at. Definitely keeping the helmet when this is done.

The dark side of this build is that during those two weeks, I completely shut myself out. From the moment I woke up to when I went to bed, I was either shopping for stuff I needed or sitting in the building space I was using putting it together. I was able to get out at times with friends to try to relax, but for the most part, I barely slept, ate, or talked to anyone (unless they were helping me build it). It was by far the most stressful two weeks of my life. It really makes you start to question what matters in life. Is this what it takes to be great? Is sacrificing comfort and happiness worth it for the payoff long term? I don't know. I just think about stuff like that.

Then the actual shoot came! Spoilers: it didn't go fantastically. And that's pretty normal in this industry, but it went a little beyond what I was prepared for.

We had one awesome day of shooting, where we had a full crew, a lot of whom I didn't know but were really excited to work on the project and put in a great effort to get it done. The other two days...not so much. Most people either called out sick or just decided not to show up, including my assistant director, so we were severely understaffed.

I have to once again tip my hat to my producer Jimmy, my DP Alex, as well as my old grip and roommate Ernie, and my PA Lilah, because they were the only people to show up all three days. They came in clutch and are the reason I have any footage to show for those days.

Because my actor shaved and got a haircut immediately following the shoot, the plan right now is to do reshoots in the spring. I know with the actual crew and equipment we wanted and needed, we can really nail it and make something awesome. It's going to be a matter of weather permitting and people really rallying around the movie this time.

Regardless of everything that went wrong, I should be thankful that I'm lucky enough to get to do what I'm doing, because I love making movies and being able to make up stories and characters and see them come to life. If I'm gonna be honest, though, it's still really hard to work for so long towards something, aim so high, and watch things go so horribly wrong when you're so close, knowing how good it could have been.

I'm in a rough spot right now. I know a lot of the problems that came up were out of my control, but I still feel like I blew it. I spent a lot of money to come back to BU and do this, and the lackluster product I've made thus far leaves me feeling gross, and unfortunately I'm gonna have to sit on these feelings for a while until I can go back and try to get it right.

Among the great life lessons I've learned over the years is one from fictional sports hero Rocky Balboa, that noone's gonna hit you harder than life, but it's not about how hard you can it. It's about how hard you can GET hit and keep moving forward. That's how winning is done.

I'm gonna have to move back home soon and try to find a legitimate long-term job. Because BU Financial Aid scammed me into coming to BU but not helping me, I've stayed long enough to take the thesis film class and get a degree, but now I have to move home to save what money I can and finish my degree with online courses. It wasn't how I planned on spending the end of my college experience, but it's just another hit from life and whether I like it or not, it's what I have to do. I'll have time to work on a lot of new stuff and hopefully will be able to get some of it up here. It's the start of a new chapter for me, so stay tuned.
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Aliens are Coming...

10/26/2017

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In three weeks, I'm directing the shoot for my thesis film. That's nuts.

It feels like only yesterday I was just another dumbass freshman asking the BUTV guy what I should do to make movies. crazy thinking about how much I've actually been through since then, both academically and personally. I feel like a different person. Luckily, I've managed to get some good advice from some really cool people since then and have figured out a lot of stuff about making movies. I've derived knowledge from unexpected places and have learned so much about making characters, building worlds, and telling stories. I've managed to beat out competition and earn a couple directing gigs through my college, which is pretty cool, and I somehow spent my first time in Hollywood working for The Rock, so I guess I must be doing something right. 

So anyways, now I'm writing and directing my thesis film, a short about a sci-fi loving farmer who discovers an alien robot near his home and gets a little more than he hoped for about the nature of the universe. It's basically a nihilist version of ET (we millennials do love ourselves some nihilism). The main character expects this beautiful, wholesome experience with this alien and instead gets no answers and way more questions. It's an oldschool sci-fi ideology you see with great writers like HG Wells and HP Lovecraft (he's the guy who created Cthulu and the Necronomicon). The universe has no existential purpose and is probably way scarier and more bizarre than out feeble human brains can comprehend.

I heard Neil Degrasse Tyson once propose the thought of a creature that's DNA is only 1% more advanced than ours, the same as what separates us from chimpanzees. The smartest chimpanzees ever observed learn to draw pictures or play Pacman, something human children can do, and we find it adorable. What if an alien species was just 1% of DNA more advanced than us? Would quantum physics, the internet, and our great artistic achievements be childsplay to them? In the grand scheme of the universe, it seems very possible. That's bananas. Also the idea of dimensions above the third dimension, which our brains can't comprehend, but I'm not gonna bother trying to explain that. Anyways, not super related, but it's in the same ballpark of where the idea for my thesis comes from, that these aliens look down on us and disregard us because we're dumb humans who haven't figured out interdimensional travel yet.

So yeah, that's the inspiration for the movie. It's got some cool stuff going on that will hopefully be a notable feat for an indie student film, such as a life-like robot costume, some cool special effects, and a doggo. I'm gonna be putting up the kickstarter in a few days, so if anyone's actually reading this, please, for the love of god, donate. Movies are awesome, but the thing about awesome movies is that they cost money. We have to feed people, house them, transport them, get fancy equipment, rent a location, all that good stuff. If we reach the goal in time for the deadline, the movie will be dope. If we don't, we get no money and I make no movie, and that'll mean the loan I took out to come back to BU this semester will have been for nothing, and that would be sad.

I still can't get over the fact that this is gonna be my final semester of college, even of school in general. After this, I do some online bullshit (cause BU is expensive and scammed me out of financial aid) and get my degree. Then I've got the rest of my life. Still don't know what I'm doing about that, but to quote my boss from Studio71 in LA: "Jimmy, I feel like I could just throw you out into the world, just on your own, and, like, you would be okay."

I guess I've made it this far, I think I'll probably be fine.
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It's Summertime

8/5/2017

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Four months have passed, Imma talk about it.

Interning with The Rock Vol, 2: Summer is Coming

I meant to write another blog right after I returned home from LA, but clearly, that didn't happen, so I'll sum up those last few weeks briefly. I went to Six Flags, slinked around Disney's creative headquarters, had no more success with voice acting, and can now say I was technically creatively involved with a song produced by Dwayne Johnson and Jean Baptiste (he wrote a bunch of songs for The Black Eyed Peas). When I say that, I of course mean our director/one of the writers asked me what I though of the lyrics and the song and I gave input. I helped!

The song is appropriately called "Song of the Summer", you can check it out on The Rock's Youtube channel, it's not hard to find. It features YouTube vlogging sensation Logan Paul and some crazy guy named Desiigner. Oh yeah, also Desiigner invited us to one of his shows in Orange County after we shot his part of the music video. someone made fun of my shoes but I rolled up and got in the to VIP section for free. Showed him.

I got to go into Disney's creative campus which was insane, but I can't really talk about. I met DJ again (that's what his friends call him, we're basically best friends at this point), and also got to meet Alex Daddario. I met some more cool people through my classes, sent out my demo reel (with not many replies lol), and made some friends I'll hopefully get to see again soon. Some other stuff happened as well.

LA was awesome. It wasn't until I was packed and heading for the airport that it really felt like I had been at a party and the party was over. I think it's not a matter of if I go back as much as it is WHEN I go back. In my line of work, I think it's kind of obligatory to go out there if you actually want to make a decent living. The whole time I was out there, I thought of my return to finish my degree as apart of my hero's journey, the premature return to the known world before completing my final act, but now that I've been back for a while, I've realized how much I would be leaving behind here, and I'm not sure when I'll be ready to do that. We'll just have to see what happens.

Summer Time, Super Nice, Everything Better with Dunkin Ice

Anyways, I'm living in Boston for the summer working for BU as an Events and Conferences room attendant. I'm basically a glorified maid, I clean toilets and make beds. But with a free summer apartment and $40/week for food on top of our pay, I'm not complaining. It's made things a lot easier for me given that my family has just finished moving recently.

Speaking of which, it's still kind of weird for me to think that I no longer live in Walpole. My corgis are no longer the Walpole Corgis (but you should still follow them @thewalpolecorgis on Instagram right now). For personal reasons, I think it's for the best for everyone involved, but it has definitely shaken up my own sense of security on the home front. Kind of a nice wakeup call to get my shit together and figure out a career path, something that I'm slowly progressing towards (at least I hope)

I got the directing job for BU's thesis film class! The directing job is pretty tough to get, as everyone wants to be the head honcho, so I'm really excited that my screenplay (and in turn, my creative vision) was picked! Real talk, I spent six months stressing in the back of my mind about what my thesis screenplay would be about, and everyone knows that creative people do cool stuff when they're relaxed. I was not relaxed, and had a means case of writer's block for a majority of that time. I settled on an idea and wrotie the screenplay about two days before the deadline :P I honestly did not think it would get chosen, but it seems like I thrive under pressure. Many great songs were written overnight: among them, The Who's "My Generation" and The Legend of Zelda theme. Fun facts. I'm hyped for this short film, I'll be bringing to life a character I've had in mind for a while, and with the right people around me, I think it has the potential to be a really fun time. The thought of how I'm going to do it terrifies me, but we'll see what happens. Early stages.

I've been having a lot of twenty-fun this summer too, which probably for the worse, has taken me away from creative projects I wanted to work on, like some screenplays, and two albums I'm working on. Tryna pick up the slack now, but I think a break from art to have a little fun was needed, I like to do other stuff too.

Anyway, I think that's all the new I got for now. In case you're one of the two mysterious people who regularly look at this website, I promise  I'll start posting more stuff soon.
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Interning with The Rock and other Adventures in Hollywood

4/3/2017

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So for the past few months, I've been studying "abroad" in Los Angeles to try and get some pro experience and meet people who work in the industry. I'm not done yet, but so far this semester has been one for the books. I've fist bumped The Rock (pic to prove shown above), hiked Yosemite, rode cable cars through San Francisco, met one the biggest VO agents in LA, and become a source of drama between a director and executive producer.

I somehow managed to land an internship working on The Rock's production team, Seven Bucks Digital Studios. We make his YouTube videos along other social media content. This has been really fun since his channel serves as a hub for collaboration, featuring basically anyone and everyone from Vine star Logan Paul to musician to composer Lin Manuel Miranda (he worked on Star Wars and Moana). I've gotten to meet some really cool people and my job is way more fun than most of the other interns at my office :P

Anyways, I've been having to write journals about my internship for BU, so I thought I'd start off that blog life by sharing some of the highlights of my experience working for Seven Bucks. I've omitted the first six weeks as they were really boring.

Anyways, here ya go.

Week 7: 2/20-2/24 — Where Things Become Mildly Interesting

I signed up to work Tuesday, Wednesday, and Thursday, though this is the first week since I’ve started that I haven’t worked a Monday (not to complain, as I should value the experience and be getting the most bang for my buck, having to pay just to be here and whatnot). I began my Tuesday cleaning up an office for a new President of something-something and attempting to marathon the entirety of Rush’s discography. I only made it to about 1989.

This week was something of a down week at my job. There were no big shoots or famous clients coming in. They said it was eerily the least busy they’ve been since starting The Rock’s channel. Dylan, one of the people I answer to, described it as follows: “We’re going out surfing, we’ve been towed out on the jet ski, and there are no waves around us, but you can see the huge swell forming on the horizon”. Dylan is very good with analogies. I also played the guitar in their office for the first time, which was a nice moment to bond and talk about music.


I spent the latter half of my Tuesday delivering Monday Night Raw footage to someone who I assume works for The Rock. They were vague with what the footage was for and who was giving it to, the converstation went something like this:

"We need you to text this number. Tell him you're with Mo and that you have the drive. He should send you an address that you can bring this to".

It sounded sketchy even though I knew it wasn't, but the fact that the hard drive was put into a secure hardshell case made it feel very important. I spent the rest of my day on this Rogue-One esque mission to Oxnard to deliver this footage, which became significantly harder when my phone died on the way there. I learned the hard lesson that day that you should ALWAYS have a phone charger accessible. Nonetheless, it was good practice for having to navigate an area I didn’t know well, and to do it efficiently, as I ultimately got back to the office an hour after I was supposed to be clocked out.


The rest of the week was spent mainly on the task of getting people on board for a new video series for The Rock’s channel :”Action Science”. Using all the footage I had gathered from weeks before, we would count down The Rock’s best fighting and action scenes, and, similar to ESPN’s “Sports Science” would break down the physics of what is actually going on in the scenes, and providing analogies to show how crazy these fights and stunts would actually be. My job was to reach out to anyone and everyone I knew who would be good in physics: majors I knew, professors I once had, high school teachers, people like that. While not exactly experience with a director or a writer, it was interesting to spend so much time on this and realize how much actually has to go into making these videos. After extensive research and reaching out to dozens of local professors and physicists, we finally found a few people on Thursday afternoon at the end of my week. It was a crazy and busy transition into a fun weekend with a Bruins game, trip to Universal Studios and an Oscars watch party.

Week 8: 2/27-3/3 — The Second Coming of Robin Williams

At the beginning of my work week, we had our weekly seminar and discussed optimization for YouTube, which was surprisingly really interesting. I've since adopted some of the optimization methods, have already seen more views on some of my videos surprisingly. I got my first dislike on a video by some scrub from France, I bet he was eating a baguette and surrendering to someone. Also, one of the higher-ups in my company assured me that the Oscars gaffe was staged by two producers. He explained how ratings went through the roof with the Steve Harvey incident and provided weeks of huge publicity following the event, and that one or two producers likely were the only ones to know about it and handed the wrong envelope. I’m not sure if he knew that for a fact, but it was interesting to talk about.

On that note, considering this week followed the infamous oscars blunder, and gave our team a new opportunity for a video. We definitely wouldn’t have had enough time to do the action science video well, getting all the data, producing the video, etc, in just one week, so we put all efforts towards this new project. The premise was taking the viral photo of all of the celebrities in the audience reacting to the best picture mix-up, and dubbing people’s voices in to make a funny scene. The Rock would play himself, and then the rest of the cast, Ben Affleck, Matt Damon, Meryl Streep, and so on, would be dubbed by voice actors. I spent way too much time trying to get the photo licensed, as everyone I had to be in touch with was untimely with responses and wasted my time redirecting me to others. Ultimately, the person who I actually had to talk told me that The Rock using the picture on his Instagram was a $500 fine and that we could have the video up for one year for $2100. Luckily, my producer taught me the valuable lesson:

Don't take guff from ANYONE.

I don't know what guff is, but I definitely don't put up with it anymore. 


This week was probably the most directly engaged I was with the Seven Bucks team. I’m starting to spend less time at “intern row” and more time in their office with them, which is more exciting and makes me feel like I’m able to be more productive and involved now. While the photo licensing ordeal probably took way too long, I was able to do many other things, such as reach out to potential voice talent, help write up scripts, and be involved with the recordings for the video. The guys who came in were hilarious. One of them, Jamie Costa, I had heard of before. He's basically Robin Williams reincarnated. He looks exactly like him and does all these amazing impressions. When he was sound-checking as Matt Damon, it took all of my willpower to not laugh my ass off. At the end of the week, I felt I had already gotten to know my employers much better, and they seemed interested in trying to get me into a video on The Rock’s channel in the future, whether it be on-screen or in voice over, which I’m obviously very excited about, but that will have to wait until after spring break.

Also still trying to get my voiceover demo reel going, have to get that done today and be sure to send it out to everyone I can.

Week 9: 3/6-3/10 — A New Hope

Spring Break was a nice break from the grind of classes and work, and for some reason, was also something of a turning point for me this semester (explained later). I was able to take the week off, and on Monday night, decided “hey, let’s go on a road trip!”. After some convincing, I managed to get my two very not-outdoorsy roommates to join me on a journey to Yosemite and San Francisco the next day. I just have to say that it is mind-boggling how barren California is between the major cities. As soon as you leave the city limits of LA or San Fran, there’s no suburbs or anything, just hundreds of miles of farmland. It was quite beautiful, but just jarring to see how different it was.

Our first destination was Yosemite. I don’t think I’ll be able to go skiing this winter/spring, but climbing around Yosemite is a pretty good way to make up for it. One of the most beautiful places I’ve ever seen, hoping I’ll be able to make my way back there. Two days isn’t enough to see all of Yosemite, I’d go for a week and explore. We also didn’t anticipate how much snow would be up on the trails, and were horribly unequipped to make the Yosemite Falls hike in one day. We tried to tough it out, but were still about half a mile shy when we decided we had to turn around (otherwise, we would have been stuck on the mountain at night).


San Francisco was a lot of fun too. We were staying at an airbnb in Oakland, and I’m honestly surprised that I was able to wear my Patriots hat in public without getting stabbed. Anyways, one of my roommates’ friends lived in San Francisco and was able to show us around for the day and take us to all the best sightseeing spots. Saw the Golden Gate, the ruins of an old bathhouse, and all the famous piers. Also rode in a cable car, so I can cross that one off the checklist. Living in LA, you kind of forget how big California is (and the world if you want to get deep). It was a really great experience and I hope that someday I can return to these places. Nonetheless, I felt recharged and ready to get back to the grind.

Week 10: 3/13-3/17 — The Rock Awakens

Here’s where things start getting crazy.

As I said before, I’ve been spending much more time in the Seven Bucks office as opposed to intern row, and I feel like I’ve been able to be much more engaged with the more fun, less interny work that I usually have to do. On Wednesday, I was in the office listening in on a conference call with Erin, a producer on the more development end of the Seven Bucks team. In the middle of the call, Scott, the director asked me “do you wanna meet The Rock?”. All I said in response was "yes.", and he brought me in for a shoot on the set of HBO’s Ballers for Friday. It’s crazy to think that if I hadn’t been hanging in the office, that might not have happened.

The Ballers set by far was the realest, largest set I’ve ever been on. Several massive warehouse/sound stages, the main are had at least twenty different sets up. The Rock’s trailer was bigger than my 2-bedroom apartment. I also accidentally wandered to the wrong part of set and accidentally made awkward eye-contact with Rob Corddry while he was eating a sandwich. In case you don't recognize the name, he's the bald guy in Hot Tub Time Machine. He was also in a bunch of other movies, look him up.
It was my first interaction with a celebrity I recognized this semester.

​Anyway, I got to meet Vine/YouTube star Logan Paul, which was cool, as I had known him well before coming to LA. The shoot was a bit stressful, as we had to be as accommodating to the Ballers crew as possible, and we didn’t know what time The Rock would be able to come over (we would only have him for about twenty minutes regardless), so we had to be on our feet for a few hours and be prepared. It was good experience navigating a giant set and solving problems on the fly. When The Rock showed up, I was able to keep my composure, and was able to shake his hand. I was getting ready to slate and as we started, he gave me a fist bump, so that was pretty cool. He’s a very nice guy, the fame just requires him to always be surrounded by lots of people (his assistant, bodyguard, etc). It was a fun day, and I was able to have dinner with some of the crew after, which was a really cool bonding experience. I finally met The Rock!


Week 11: 3/20-3/24 — Red Tuesday.


This is the week that I became apart of the lore of Dwayne “The Rock” Johnson. If nothing else, I can at least say I've accomplished this by coming to LA. 

So on Monday, I finally got around to recording my animation reel. I forgot to mention earlier that while on the road to San Francisco, I was able to get in touch with one of my professor's friends, a VO artist, who had a lot of good advice for me, the most notable being to record different demo reels for different kinds of voiceover work (animation, radio, commercial). Animation voice acting has always been something of a dream for me, so I was finally able to record that reel on Monday. During that same day, I got a call from the Seven Bucks Production Manager asking me to come into the office for about an hour. When I got there, they explained that a SXSW video that they had shot didn’t turn out the way they wanted. A lot of the humor they were going for fell flat, and they decided that they should try to do something else in place of it, since they had a strict schedule of uploading videos every Monday and Friday. Wanting to get me into a video on The Rock’s channel, they had the clever idea of playing off the SXSW screwup as a joke for a video, leading into the team making a video about the me, the intern, talking about myself, my experiences working for The Rock, and standing in for The Rock for a Q&A session (answering the questions myself as well as talking about what The Rock’s answers might be). I felt very awkward on camera, but I was able to get a lot of laughs out of the Seven Bucks team, which made me happy.

The next day, I came in, and the video was close to done in the morning. I honestly couldn’t believe that I was going to have my own video on Dwayne Johnson’s YouTube channel, putting me in a group with Jay Glazer, Seth Rogen, and other people much more famous than me. Unfortunately though, this brief fame was taken away as easily as it was given. The Rock’s executive producer, who works on all of this movies, didn’t like the video. They spent most of the day trying to meet this EP’s needs and putting the video through several completely different cuts. Late that night, after hours of no responses, the EP once again had more changes to make. Everyone had already gone home, there was no way they were going to change it and still get it up in time. The Seven Bucks guys I work with decided to stand their ground and just release the video. It was the first time they’ve ever missed a release date. It is now known as Red Tuesday. If nothing else this semester, I’ve managed to become a legendary lost video on The Rock’s channel and be the source of drama between people in The Rock’s team. And that was only Tuesday.

Going back to the animation reel, I was able to send it out to a casting director I had met in Annie’s Pro Production Methods class. Apparently, she was so impressed that she sent it directly to an agent at Abrams, one of, if not the biggest VO agency in LA. The agent’s assistant emailed me and we set up a meeting that day. It’s a really exciting time.

On Friday, I was able to get on a shoot at Paramount Recording Studios. The studio space was probably one of the coolest places I’ve ever gotten to work. The place smelled like lots of things, which I probably don’t need to list, and looking back, I’m not really surprised, I sould have anticipated as much. They had hallways of framed platinum records I loved, and I got to meet Desiigner and writer Jean Baptiste. It was kind of a brutal day. We were supposed to wrap at 2, and went until 7. My day started at 6:45 and I didn’t get a break for breakfast or lunch. Luckily, I was able to sneak food between setups for scenes, and I was able to power through the day. It also helped that the content we were shooting was hilarious. Be on the lookout for a video in roughly 2 months where Logan Paul and Desiigner team up to make a hit song. These two are fantastic, they need a movie together. Desiinger gave me a hug at the end of the day, and a lot of my friends are jealous now.
​

Despite how hard the day was, it was a great experience and I was happy to be there, see the Studio, and meet some cool people.

Week 12: 3/27-3/31 — The Sky Lobby

This was a pretty boring week for the internship. I spent most of my time either driving around running errands for people in the office, or filing an amount of paperwork that you only see in cartoons. I do enjoy driving, and most of the errands weren’t on a time crunch, so I was able to relax while driving around the city. I also had to reorganize and file all of the existing paperwork for Seven Bucks Digital Studios: petty cash reports, receipts, invoices, crew paperwork, all for about 75 projects Seven Bucks has done in the last year. Also had to go through the depths of the production manager’s old laptop and search through hundreds of files to make sure nothing was missing from the hard copies of everything. It was a mind-numbing process, but that’s what I’m here for. I actually do feel that I understand a production manager’s work immensely more than before.

​What was more interesting regarding my long-term career was my meeting with Dean Panaro, VP of Voiceover at Abrams Artists, one of the biggest VO agencies in Hollywood. You know someone is a big deal when you have to take an elevator to a place called the “Sky Lobby”, and then request access to another elevator to get to his office. He was a really interesting person to meet with and talk to, and he gave me an important reality check about the voiceover industry. It was a lot of things I didn’t know and hadn’t heard from others, such as the de facto idea of “waiting your turn”, and how long it takes most people to get signed. He was nice about it though, telling me I had a good voice with a lot of potential, just that having a good voice won’t get you anywhere: being able to voice act and have experience will. I understand more now that it’ll probably take me a while to really land something good, but I’m feeling up to the challenge.

Also found out this week that my professor and I work in the same building. I should probably go visit him at some point before I return to Boston. He's the producer behind the new National Geographic show Genius, which is about Albert Einstein. It's gonna be lit, you should watch it.



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    Jimmy Martin. This is my website, but you probably already knew that.

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